JOEL STERNFELD (Born 1944)

Joel Sternfeld's work sits within the American documentary tradition of Walker Evans and Robert Frank. He is celebrated for his pioneering colour photographs which are characterised by their irony and humour. His series American Prospects is regarded as one of the most influential bodiese of photographic work from the late twentieth century.
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PORTAGE GLACIER, ALASKA, AUGUST 1984 by JOEL STERNFELD (Born 1944) - photograph for sale from Beetles & Huxley

PORTAGE GLACIER, ALASKA, AUGUST 1984

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KETCHUM, IDAHO, OCTOBER 1980 by JOEL STERNFELD (Born 1944) - photograph for sale from Beetles & Huxley

KETCHUM, IDAHO, OCTOBER 1980

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SAINT JOHNSBURY, VERMONT, MARCH 1983 by JOEL STERNFELD (Born 1944) - photograph for sale from Beetles & Huxley

SAINT JOHNSBURY, VERMONT, MARCH 1983

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VIRGINIA ON THE POTOMAC, NOVEMBER 1978
 by JOEL STERNFELD (Born 1944) - photograph for sale from Beetles & Huxley

VIRGINIA ON THE POTOMAC, NOVEMBER 1978

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BEVERLY HILLS, CALIFORNIA, MAY 1979 by JOEL STERNFELD (Born 1944) - photograph for sale from Beetles & Huxley

BEVERLY HILLS, CALIFORNIA, MAY 1979

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MONONGAHELA RIVER, GRAFTON, WEST VIRGINIA, FEBRUARY 1983 by JOEL STERNFELD (Born 1944) - photograph for sale from Beetles & Huxley

MONONGAHELA RIVER, GRAFTON, WEST VIRGINIA, FEBRUARY 1983

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MEMBER OF THE CHRIST FAMILY RELIGIOUS SECT, HIDLAGO COUNTY, TEXAS, JANUARY 1983 by JOEL STERNFELD (Born 1944) - photograph for sale from Beetles & Huxley

MEMBER OF THE CHRIST FAMILY RELIGIOUS SECT, HIDLAGO COUNTY, TEXAS, JANUARY 1983

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A KICKAPOO MAN IN EAGLE PASS TEXAS, JANUARY 1983 by JOEL STERNFELD (Born 1944) - photograph for sale from Beetles & Huxley

A KICKAPOO MAN IN EAGLE PASS TEXAS, JANUARY 1983

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MOENKOPI, ARIZONA, AUGUST 1982 by JOEL STERNFELD (Born 1944) - photograph for sale from Beetles & Huxley

MOENKOPI, ARIZONA, AUGUST 1982

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TWO MOTELS IN LAS CRUCES, NEW MEXICO, 1986 by JOEL STERNFELD (Born 1944) - photograph for sale from Beetles & Huxley

TWO MOTELS IN LAS CRUCES, NEW MEXICO, 1986

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RED ROCK STATE CAMPGROUND (BOY), GALLUP, NEW MEXICO, SEPTEMBER 1982 by JOEL STERNFELD (Born 1944) - photograph for sale from Beetles & Huxley

RED ROCK STATE CAMPGROUND (BOY), GALLUP, NEW MEXICO, SEPTEMBER 1982

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ARCHITECTURE MUSEUM, PROVINCETOWN, MASSACHUSETTS, JULY 1980 by JOEL STERNFELD (Born 1944) - photograph for sale from Beetles & Huxley

ARCHITECTURE MUSEUM, PROVINCETOWN, MASSACHUSETTS, JULY 1980

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KITT PEAK NATIONAL OBSERVATORY, PIMA COUNTY, ARIZONA, AUGUST 1979 by JOEL STERNFELD (Born 1944) - photograph for sale from Beetles & Huxley

KITT PEAK NATIONAL OBSERVATORY, PIMA COUNTY, ARIZONA, AUGUST 1979

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SUDDEN SUMMER STORM, CONNECTICUT, C. 1977 by JOEL STERNFELD (Born 1944) - photograph for sale from Beetles & Huxley

SUDDEN SUMMER STORM, CONNECTICUT, C. 1977

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Photographic Career

Born in 1944 in New York City, Joel Sternfeld earned a BA in Art from Dartmouth College in 1965.

Sternfeld began taking photographs in 1970 having studied the colour theory of artists Johannes Itten and Josef Albers. Early work included street photography on small and medium format cameras. In 1978 Sternfeld followed in the footsteps of Robert Frank and embarked on a road-trip which traversed the United States. Taking an 8 x 10 inch camera with him, Sternfeld photographed the communities, culture, landscapes and quotidian life he encountered along the way.

American Prospects is seen as a continuation of the American documentary tradition established in the 1930s by Walker Evans and continued by Robert Frank twenty years later. Sternfeld expanded the trajectory of the medium by photographing scenes rich with implied narrative, which were also distinct in their colour and composition. Laced with a touch of irony, his photographs from the project explore American identity in a thought provoking yet humorous manner. His masterful use of colour heightens the tensions in these comic depictions of everyday life in America. First exhibited at the Museum of Modern Art, New York and then published in book form in 1987, American Prospects is regarded as one of the most influential bodies of photographic work from this period.

Sternfeld's later work has continued to experiment with colour and put it to use in documenting everyday events and the people he encounters. "This Site: Landscapes in Memoriam" (1996), focused on significant sites in American history where tragedy had occurred. "Stranger Passing", made in 2001, sees a return to similar ideas explored in American Prospects. Sternfeld created portraits of the people he encountered on his travels. The project focused on narrating the story of the subject through their physical appearance and surroundings. Further projects have seen Sternfeld extend his scope beyond America to photograph the tensions created by violent protests at the G20 summit in Geneva in 2001 and the history of Campagna Romagna in Italy. More recently "Sweet Earth: Experimental Utopias in America" (2006) looks at the sites of past and present idealised communities in America.

Exhibitions and Awards

Sternfeld's work has been the subject of multiple exhibitions in museums and galleries worldwide, including the Museum of Modern Art, New York, The Art Institute of Chicago, the Museum Folkwang Essen, the Albertina Museum of Vienna and C/O Berlin. He has received numerous awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. He holds the Noble Foundation Chair in Art and Cultural History at Sarah Lawrence College.

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