MICHAEL KENNA (Born 1953)

MICHAEL KENNA (Born 1953)
Michael Kenna is one of the most acclaimed landscape photographers of his generation. His photographs have been the subject of some 50 monographs and are held in the collections of over 100 museums worldwide. He is represented in the United Kingdom by Beetles+Huxley.
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CURIOUS CLOUD, CAMPO IMPERATORE, ABRUZZO, ITALY, 2016 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CURIOUS CLOUD, CAMPO IMPERATORE, ABRUZZO, ITALY, 2016

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MORNING CLOUDS, PACENTRO, ABRUZZO, ITALY, 2016 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

MORNING CLOUDS, PACENTRO, ABRUZZO, ITALY, 2016

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GATHERING CLOUDS, CASOLI, ABRUZZO, ITALY, 2016 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

GATHERING CLOUDS, CASOLI, ABRUZZO, ITALY, 2016

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ABOVE THE CLOUDS, CAMPO IMPERATORE, ABRUZZO, ITALY, 2015 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

ABOVE THE CLOUDS, CAMPO IMPERATORE, ABRUZZO, ITALY, 2015

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CONFESSIONAL, STUDY 30, CHIESA DI SAN GIORGIO, REGGIO EMILIA, ITALY, 2015 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CONFESSIONAL, STUDY 30, CHIESA DI SAN GIORGIO, REGGIO EMILIA, ITALY, 2015

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CONFESSIONAL, STUDY 36, BASILICA DELLA BEATA VERGINE DELLA GHIARA, REGGIO EMILIA, ITALY, 2015 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CONFESSIONAL, STUDY 36, BASILICA DELLA BEATA VERGINE DELLA GHIARA, REGGIO EMILIA, ITALY, 2015

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CONFESSIONAL, STUDY 35, BASILICA DELLA BEATA VERGINE DELLA GHIARA, REGGIO EMILIA, ITALY, 2015 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CONFESSIONAL, STUDY 35, BASILICA DELLA BEATA VERGINE DELLA GHIARA, REGGIO EMILIA, ITALY, 2015

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CONFESSIONAL, STUDY 18, CHIESA DI SANTI PIETRO APOSTOLO E PROSPERO VESCOVO, REGGIO EMILIA, ITALY, 2007 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CONFESSIONAL, STUDY 18, CHIESA DI SANTI PIETRO APOSTOLO E PROSPERO VESCOVO, REGGIO EMILIA, ITALY, 2007

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CONFESSIONAL, STUDY 4, CHIESA DI SANTO STEFANO (DETTA COLLEGIATA), NOVELLARA, REGGIO EMILIA, ITALY, 2007 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CONFESSIONAL, STUDY 4, CHIESA DI SANTO STEFANO (DETTA COLLEGIATA), NOVELLARA, REGGIO EMILIA, ITALY, 2007

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CONFESSIONAL, STUDY 3, CHIESA DI SANT'ANDREA, GUALTIERI, REGGIO EMILIA, ITALY, 2008 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CONFESSIONAL, STUDY 3, CHIESA DI SANT'ANDREA, GUALTIERI, REGGIO EMILIA, ITALY, 2008

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CONFESSIONAL, STUDY 74, CHIESA DI SANTA MARIA NASCENTE, BRESCELLO, REGGIO EMILIA, ITALY, 2016 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CONFESSIONAL, STUDY 74, CHIESA DI SANTA MARIA NASCENTE, BRESCELLO, REGGIO EMILIA, ITALY, 2016

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CONFESSIONAL, STUDY 70, CHIESA DI SAN ROCCO, VILLAROTTA, REGGIO EMILIA, ITALY, 2016 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CONFESSIONAL, STUDY 70, CHIESA DI SAN ROCCO, VILLAROTTA, REGGIO EMILIA, ITALY, 2016

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CONFESSIONAL, STUDY 68, CHIESA DI SAN FILIPPO NERI, REGGIO EMILIA, ITALY, 2016 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CONFESSIONAL, STUDY 68, CHIESA DI SAN FILIPPO NERI, REGGIO EMILIA, ITALY, 2016

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CONFESSIONAL, STUDY 56, CHIESA DI SAN BARTOLOMEO APOSTOLO, CASINA, REGGIO EMILIA, ITALY, 2015 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CONFESSIONAL, STUDY 56, CHIESA DI SAN BARTOLOMEO APOSTOLO, CASINA, REGGIO EMILIA, ITALY, 2015

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CONFESSIONAL, STUDY 55, CHIESA DI SANTA MARIA ASSUNTA, FELINA, REGGIO EMILIA, ITALY, 2015 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CONFESSIONAL, STUDY 55, CHIESA DI SANTA MARIA ASSUNTA, FELINA, REGGIO EMILIA, ITALY, 2015

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CONFESSIONAL, STUDY 53, CHIESA DI SAN MICHELE ARCANGELO, RONCAGLIO DI CANOSSA, REGGIO EMILIA, ITALY, 2015 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CONFESSIONAL, STUDY 53, CHIESA DI SAN MICHELE ARCANGELO, RONCAGLIO DI CANOSSA, REGGIO EMILIA, ITALY, 2015

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CONFESSIONAL, STUDY 52, CHIESA DI SANTA MARIA ASSUNTA, MINOZZO, REGGIO EMILIA, ITALY, 2015 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CONFESSIONAL, STUDY 52, CHIESA DI SANTA MARIA ASSUNTA, MINOZZO, REGGIO EMILIA, ITALY, 2015

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CONFESSIONAL, STUDY 45, CHIESA DI SANTA MARIA ASSUNTA, GOMBIO, REGGIO EMILIA, ITALY, 2015 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CONFESSIONAL, STUDY 45, CHIESA DI SANTA MARIA ASSUNTA, GOMBIO, REGGIO EMILIA, ITALY, 2015

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CONFESSIONAL, STUDY 49, CHIESA DI SANTA MARIA ASSUNTA, MINOZZO, REGGIO EMILIA, ITALY, 2015 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CONFESSIONAL, STUDY 49, CHIESA DI SANTA MARIA ASSUNTA, MINOZZO, REGGIO EMILIA, ITALY, 2015

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CONFESSIONAL, STUDY 40, CHIESA DI SANTA MARIA ASSUNTA NELLA CATTEDRALE, REGGIO EMILIA, ITALY, 2015 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

CONFESSIONAL, STUDY 40, CHIESA DI SANTA MARIA ASSUNTA NELLA CATTEDRALE, REGGIO EMILIA, ITALY, 2015

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Early Years

Michael Kenna was born in 1953 in Lancashire, England, into an Irish Catholic family. From an early age Kenna aspired to be a priest and, aged eleven, began studying at a seminary school. However, art quickly became his strongest subject and at the age of 17 he moved to Banbury School of Art in Oxfordshire. He studied painting and then photography, before going on to pursue a degree in photography at the London College of Printing. Initially Kenna concentrated on commercial photography, however he soon turned to landscapes after seeing the work of Bill Brandt , Josef Sudek , Eugène Atget and Alfred Steiglitz, who were highly influential on him.

Photographic Career

In 1977 Kenna moved to San Francisco where a number of galleries were willing to showcase his work. He quickly settled into life in California where he lived and worked as a photographer for over thirty years. Kenna looks for interesting compositions and arrangements within the natural landscape. He is drawn to certain times of day and night, preferring to photograph in the mist, rain and snow. Clear blue sky and sunshine do not inspire him. He also only photographs his work in black and white, as he believes, 'black and white is immediately more mysterious because we see in colour all the time. It is quieter than colour.'

He is a traveller and has photographed all over the world but it is France and Japan that are his favourite subjects. Working in a tradition that owes more to the Romantic landscape painters Caspar David Friedrich, John Constable and J.M.W. Turner than to trends of his contemporaries, Kenna's vision of the landscape sees the human dwarfed by the grandeur of the natural world. He transforms the mundane into the extraordinary by registering the presence and absence of the human in the landscape.

He also likes to photograph on his own, in silence, creating a sense of calm, solitude and tranquility in his photographs. As he said in an interview in 2009 with 'Fine Art Photography' magazine, 'I prefer suggestion over description. The world is pretty chaotic, seemingly always speeding up and getting louder and more visually dense. I am interested in finding and/or creating calm shelters from the storm, places where quiet and solitude is encouraged and inner contemplation possible. I think we could all use a break from time to time...'

In many ways Kenna is an anachronistic contemporary to the Pictorialists, the pioneer pre-Modernist movement of photographers that saw the atmosphere of the photograph as central to its emotive force. Like the Pictorialist photography of Alfred Stieglitz, Kenna's photography places an emotional hold over its viewer through the atmospheric effects of photographing at night, in crepuscular light or in mist, fog and snow. Kenna does not seek to present an accurate copy of the world, but to extract something original and emotive from it. Kenna prints all his own work in the darkroom, ensuring that the tonality of his small, black and white images is evocative rather than informative, interpretive rather than documentary. He started printing for Ruth Bernard when he moved to San Francisco in 1977 and learnt from the creative license she took with the negative to achieve compositional and tonal precision. Greatly influenced by the transformation of negative to final print undertaken by Bernhard, Kenna patiently makes every print himself, burning and dodging to perfect the balance of each image.

Kenna currently lives in Seattle, with his wife and children and continues to travel the world producing new work. His photographs are held in permanent collections at the Bibliotheque Nationale, Paris, The National Gallery of Art, Washington DC, Tokyo Metropolitan Museum of Photography, and the Victoria and Albert Museum in London.

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