MICHAEL KENNA (Born 1953)

MICHAEL KENNA (Born 1953)
Michael Kenna is one of the most acclaimed landscape photographers of his generation. His photographs have been the subject of some 50 monographs and are held in the collections of over 100 museums worldwide. He is represented in the United Kingdom by Beetles+Huxley.
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SNOW ON PEBBLES, TOYA LAKE, HOKKAIDO, JAPAN, 2009 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

SNOW ON PEBBLES, TOYA LAKE, HOKKAIDO, JAPAN, 2009

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MAPLE TREE IN AUTUMN, KYOTO, HONSHU, JAPAN, 2001 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

MAPLE TREE IN AUTUMN, KYOTO, HONSHU, JAPAN, 2001

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KUSSHARO LAKE TREE, STUDY 10, KOTAN, HOKKAIDO, JAPAN, 2005 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

KUSSHARO LAKE TREE, STUDY 10, KOTAN, HOKKAIDO, JAPAN, 2005

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YUANYANG, STUDY 5, YUNNAN, CHINA, 2013 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

YUANYANG, STUDY 5, YUNNAN, CHINA, 2013

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YUANYANG, STUDY 1, YUNNAN, CHINA, 2014 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

YUANYANG, STUDY 1, YUNNAN, CHINA, 2014

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TOWER BRIDGE, LONDON, ENGLAND, 2007 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

TOWER BRIDGE, LONDON, ENGLAND, 2007

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REFLECTED TREE, HONGKUN, ANHUI, CHINA, 2007 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

REFLECTED TREE, HONGKUN, ANHUI, CHINA, 2007

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LIJIANG RIVER, STUDY 4, GUILIN, CHINA, 2006 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

LIJIANG RIVER, STUDY 4, GUILIN, CHINA, 2006

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HUANGSHAN MOUNTAINS, STUDY 42, ANHUI, CHINA, 2010 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

HUANGSHAN MOUNTAINS, STUDY 42, ANHUI, CHINA, 2010

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WHITE GOOSE PATHWAY, HUANGSHAN MOUNTAINS, CHINA, 2008 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

WHITE GOOSE PATHWAY, HUANGSHAN MOUNTAINS, CHINA, 2008

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HUANGSHAN MOUNTAINS, STUDY NO 1, ANHUI, CHINA, 2008 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

HUANGSHAN MOUNTAINS, STUDY NO 1, ANHUI, CHINA, 2008

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HUANGSHAN MOUNTAINS, STUDY NO 8, ANHUI, CHINA, 2008 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

HUANGSHAN MOUNTAINS, STUDY NO 8, ANHUI, CHINA, 2008

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HUANGSHAN MOUNTAINS, STUDY NO 11, ANHUI, CHINA, 2008 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

HUANGSHAN MOUNTAINS, STUDY NO 11, ANHUI, CHINA, 2008

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SKYLINE, STUDY 3, SHANGHAI, CHINA, 2008 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

SKYLINE, STUDY 3, SHANGHAI, CHINA, 2008

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LIJIANG RIVER, STUDY NO 5, GUILIN, CHINA, 2006 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

LIJIANG RIVER, STUDY NO 5, GUILIN, CHINA, 2006

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LAKE BRIDGE, HONGKUN, ANHUI, CHINA, 2008 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

LAKE BRIDGE, HONGKUN, ANHUI, CHINA, 2008

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SIXTY TREES, NAKAFURANO, HOKKAIDO, JAPAN, 2004 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

SIXTY TREES, NAKAFURANO, HOKKAIDO, JAPAN, 2004

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WHITE COPSE, STUDY 3, WAKKANAI, HOKKAIDO, JAPAN, 2004 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

WHITE COPSE, STUDY 3, WAKKANAI, HOKKAIDO, JAPAN, 2004

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SEVEN POSTS IN SNOW, RUMOI, HOKKAIDO, JAPAN, 2004 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

SEVEN POSTS IN SNOW, RUMOI, HOKKAIDO, JAPAN, 2004

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ASPARAGUS STICKS, STUDY 1, BIEI, HOKKAIDO, JAPAN, 2007 by MICHAEL KENNA (Born 1953) - photograph for sale from Beetles & Huxley

ASPARAGUS STICKS, STUDY 1, BIEI, HOKKAIDO, JAPAN, 2007

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Early Years

Michael Kenna was born in 1953 in Lancashire, England, into an Irish Catholic family. From an early age Kenna aspired to be a priest and, aged eleven, began studying at a seminary school. However, art quickly became his strongest subject and at the age of 17 he moved to Banbury School of Art in Oxfordshire. He studied painting and then photography, before going on to pursue a degree in photography at the London College of Printing. Initially Kenna concentrated on commercial photography, however he soon turned to landscapes after seeing the work of Bill Brandt , Josef Sudek , Eugène Atget and Alfred Steiglitz, who were highly influential on him.

Photographic Career

In 1977 Kenna moved to San Francisco where a number of galleries were willing to showcase his work. He quickly settled into life in California where he lived and worked as a photographer for over thirty years. Kenna looks for interesting compositions and arrangements within the natural landscape. He is drawn to certain times of day and night, preferring to photograph in the mist, rain and snow. Clear blue sky and sunshine do not inspire him. He also only photographs his work in black and white, as he believes, 'black and white is immediately more mysterious because we see in colour all the time. It is quieter than colour.'

He is a traveller and has photographed all over the world but it is France and Japan that are his favourite subjects. Working in a tradition that owes more to the Romantic landscape painters Caspar David Friedrich, John Constable and J.M.W. Turner than to trends of his contemporaries, Kenna's vision of the landscape sees the human dwarfed by the grandeur of the natural world. He transforms the mundane into the extraordinary by registering the presence and absence of the human in the landscape.

He also likes to photograph on his own, in silence, creating a sense of calm, solitude and tranquility in his photographs. As he said in an interview in 2009 with 'Fine Art Photography' magazine, 'I prefer suggestion over description. The world is pretty chaotic, seemingly always speeding up and getting louder and more visually dense. I am interested in finding and/or creating calm shelters from the storm, places where quiet and solitude is encouraged and inner contemplation possible. I think we could all use a break from time to time...'

In many ways Kenna is an anachronistic contemporary to the Pictorialists, the pioneer pre-Modernist movement of photographers that saw the atmosphere of the photograph as central to its emotive force. Like the Pictorialist photography of Alfred Stieglitz, Kenna's photography places an emotional hold over its viewer through the atmospheric effects of photographing at night, in crepuscular light or in mist, fog and snow. Kenna does not seek to present an accurate copy of the world, but to extract something original and emotive from it. Kenna prints all his own work in the darkroom, ensuring that the tonality of his small, black and white images is evocative rather than informative, interpretive rather than documentary. He started printing for Ruth Bernard when he moved to San Francisco in 1977 and learnt from the creative license she took with the negative to achieve compositional and tonal precision. Greatly influenced by the transformation of negative to final print undertaken by Bernhard, Kenna patiently makes every print himself, burning and dodging to perfect the balance of each image.

Kenna currently lives in Seattle, with his wife and children and continues to travel the world producing new work. His photographs are held in permanent collections at the Bibliotheque Nationale, Paris, The National Gallery of Art, Washington DC, Tokyo Metropolitan Museum of Photography, and the Victoria and Albert Museum in London.

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