PAUL KENNY: SEA WORKS

10 - 29 AUGUST 2009

"The work, building on themes developed over thirty-five years, tries to find the awe-inspiring in that which is easily passed by. It contains issues of fragility, beauty and transience in the landscape: marks and scars left by man and the potential threat to the few remaining areas of wilderness. Looking at the micro and thinking about the macro, I aim for each print to be a beautiful, irresistible, thought provoking object."
Paul Kenny

Paul Kenny is one of the most exciting and innovative photographers working in Britain today. We are thrilled to announce a new exhibition of work that charts his gradual move towards abstraction over the last 8 years.

As part of this development, the camera itself has become less important in Kenny's photography, and he has focused his attention on creating his images through darkroom processes alone. Although his work is unlike any photography that has come before it, it is deeply rooted in photographic tradition and techniques. Using the same camera-less approach of Adam Fuss, Susan Derges, and Gary Fabian-Miller, he builds up his photographic slides by hand, and then creates visual magic in the dark.

Equally crucial is the environment in which the images are created. Kenny has lived and breathed the coastline of the north-east of England for 27 years, and his Sea Works are a love-letter to its sands, strand lines, and shells. He also regularly works in the western isles of Scotland, and the west coast of Ireland. In using beach-combed flotsam and dried sea-water Kenny irrevocably links his work to the coastal environment each photograph is inspired by it, created from it, and aims to highlight its fragility and sometime abuse. In this way Kenny's pictures are as much about his passion for conserving and enjoying these delicate eco-systems as they are about artistic endeavour.

This show will focus in particular on Kenny's recent experimentation with dried salt water, the crystals of which form structural patterns and shapes around pebbles, seaweed, and other items found on the beach. The resulting images are staggeringly beautiful, poignant and blur the boundaries between photography, science and conservation.

CATCH A WAVE (CAST), 2002 by PAUL KENNY (Born 1951) - photograph for sale from Beetles & Huxley

CATCH A WAVE (CAST), 2002

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Price tier
£1,000-2,000

A DAY OUT AT THE BEACH NO 1, 1998 by PAUL KENNY (Born 1951) - photograph for sale from Beetles & Huxley

A DAY OUT AT THE BEACH NO 1, 1998

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Price tier
£1,000-2,000

SEA METAL MOON NO 3 - COCA COLA IN AN OUTGOING TIDE, 2009 by PAUL KENNY (Born 1951) - photograph for sale from Beetles & Huxley

SEA METAL MOON NO 3 - COCA COLA IN AN OUTGOING TIDE, 2009

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Price tier
£1,000-2,000

CATCH A WAVE   DOWNPATRICK HEAD, AUTUMN 2008 by PAUL KENNY (Born 1951) - photograph for sale from Beetles & Huxley

CATCH A WAVE DOWNPATRICK HEAD, AUTUMN 2008

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Price tier
£1,000-2,000

MAPPA KEFALONIA, 2009 by PAUL KENNY (Born 1951) - photograph for sale from Beetles & Huxley

MAPPA KEFALONIA, 2009

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Price tier
£1,000-2,000

PRECIOUS: SEA: STONE NO 4, 2006
KEFALONIA/MAYO by PAUL KENNY (Born 1951) - photograph for sale from Beetles & Huxley

PRECIOUS: SEA: STONE NO 4, 2006 KEFALONIA/MAYO

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Price tier
£1,000-2,000

MAPPA CHESWICK, 2008 by PAUL KENNY (Born 1951) - photograph for sale from Beetles & Huxley

MAPPA CHESWICK, 2008

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Price tier
£1,000-2,000

HEAVEN OR LAS VEGAS - ROSS STRAND, MAYO, 2008 by PAUL KENNY (Born 1951) - photograph for sale from Beetles & Huxley

HEAVEN OR LAS VEGAS - ROSS STRAND, MAYO, 2008

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Price tier
£0-1,000

CULTIVATED LANDSCAPE NO 3 - SPRING, 2009 by PAUL KENNY (Born 1951) - photograph for sale from Beetles & Huxley

CULTIVATED LANDSCAPE NO 3 - SPRING, 2009

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Price tier
£1,000-2,000

   
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